⚫ Act I finished. Bravissimo!, @NicoMuhly. Riveting, deeply affecting, and darkly beautiful. I need a full score — and a DVD!While we readily if somewhat embarrassingly confess that our two "Bravissimo!" were more than a smidge over the top, we put that down to a momentary instant access of enthusiasm brought on as much by what we heard as it was by its being measured against what we'd expected to hear and those über-superlatives were, after all, part of two instantly written and posted tweets as opposed to soberly thought out, well-considered critical commentary and as such were, to some degree at least, forgivable on that count alone. The next day, we began reading the MSM reviews of the work and were disbelievingly astonished. Almost all were largely (but, except for Martin Bernheimer's jaw-dropping, parallel-universe review, not entirely) negative (see this Ionarts post for a sampling). Searching our mind for some possible explanation for this wholly unexpected (and, to our mind, wholly unwarranted) critical response, the best we could come up with was a lame, "There must be something seriously distorting about the staging that somehow managed to insidiously overwhelm both music and text." We need to hear this work again (better, several agains) — this time with at least a beforehand look at the vocal score and a hearing with vocal score in hand. When so many experienced professional ears hear that which is in opposition to what one's own ears have heard, one has no choice but to revisit the work in question before again placing full trust in one's own initial judgment.
⚫ Act II over. Commedia finita est. A deeply affecting, soul-deep journey that works. Once again, @nicomuhly: Bravissimo!