Russell Thomas, speaking to Anne Midgette [here]: "The conversation about blackface is a distraction. It’s not about whether or not Mr. Antonenko was painted dark. It’s also not about whether whites should be allowed to sing Porgy and Bess. It’s about this: Why aren’t the stages representative of the communities in which they are located?"Answer: Because it's unimportant, no pressing matter, and "a distraction". What matters on theater stages, the ONLY thing that matters — whether what's being presented is straight drama, musical comedy, opera, or what have you — is the excellence of the presentation and performance of the artwork being staged. Period. Full stop. Everything else — everything — is but of ancillary importance and only a hypersensitive, corrupted postmodern sensibility would argue otherwise.