Seeing "Otello," I tried to imagine how I would have responded if I hadn’t known the story before. Would I have felt something was missing without the makeup? And no, I don’t suppose I would have. What I did miss, in the production’s first half, was any sense of what set Otello apart. Aleksandrs Antonenko, in the role, tended to blend into the crowd in the early scenes. Even a red scarf, anything, to set him apart might have helped relieve that black-and-gray canvas, and something to indicate that he had come from a culture different from the one he now inhabits.How about markedly darkened skin (but not grotesquely darkened as in "blackface") that would instantly have shown Otello to be "from a culture different from the one he now inhabits" — you know, just as Shakespeare intended? You think that might have done the trick? Of course it would have, you mealymouthed twit. It's not for nothing, you know, that Shakespeare didn't title his play merely Othello but Othello, the Moor of Venice.