Anyone who can read German will discover that the review under the inflammatory headline is, in fact, mixed rather than negative. "Not to be taken seriously" in context means "treated lightly and ironically." But I forgot: this is [an opera forum] where very few read reviews even in English let alone go to the trouble of actually seeing any of these productions they're all up in arms about.In response to which we butted in by writing:
And lest anyone forget, the above is [written] by __________ who has something to praise about all Konzept Regietheater opera stagings unless, of course, that staging bears any resemblance or relationship to the spirit and sense of the opera creator's original vision. And I would be interested in learning just how most folks here (were they masochistic enough) could have "go[ne] to the trouble of actually seeing" the imbecile, unintentional burlesque that is Frank Castorf's Wagner Bicentennial Bayreuth staging of the Ring which, in any case, is clearly one of those Eurotrash (Konzept) Regietheater stagings that makes "actually seeing" it totally unnecessary in order to render an informed and infallible judgment concerning it.That did it. Now WE became the target, both publicly and privately — not by the above referred to "progressive" MSM critic but by other forum "progressive" types. Herewith a sampling:
⚫ I cannot help but feel a certain amount of pity for someone who subordinates their [sic] own thought processes and critical faculties to someone else. For my money, NO, you cannot render an informed and certainly not infallible judgment on a performance you have not seen.Und so weiter. Well, for starters, we never claimed to be able to render an informed and infallible judgment of either a "performance" or a "production" without actually seeing it. We spoke only of judging the staging of a production unseen by us in the theater, and only of certain stagings, not all. Furthermore, none of our numerous commentaries on stagings unseen by us in the theater could be taken as our "subordinat[ing] [our] own thought processes and critical faculties to someone else." (What an idea!) We finally felt constrained to set things straight on the forum regarding this matter, and perhaps it's also time we set things straight on this matter here on S&F as well. Following (with language slightly polished) is what we wrote in response to the criticisms:
⚫ Now is it possible that _____ did actually read what you wrote but like ma[n]y people considers it necessary for someone to actually attend a production rather than dismiss it out of hand through the [critiques] of others? Of course only the 'others' who agree with your already formed opinion!
⚫ Sorry, "little man", *no one* can judge a theatrical production from production photos.
⚫ You patronising twat.
In all the years I've commented on Eurotrash (Konzept) Regietheater stagings (and I've commented a great deal) I've NEVER - not once - depended on the critical opinion of others. When I write about these stagings, stagings I've never actually seen in the theater, I base my commentary on production photos and/or video clips of the staging and on reliable, straightforward written descriptions of the physical action absent one or the other of these two pieces of data I will offer no critical commentary at all. Even given the above two pieces of data, some stagings simply cannot be commented on without actually seeing them in the theater (the 2009 LAO Achim Freyer staging of the Ring is a perfect example). On the other hand, some stagings can be easily and accurately judged merely on the evidence of those two pieces of data. Such is the Frank Castorf Eurotrash staging of the Ring for Bayreuth from which staging there is no possibility that Wagner's Ring could ever emerge. And that's the principal thing that makes this Castorf staging utterly contemptible, unmitigated Eurotrash and so richly deserving of utmost censure.The above explanation just for the record.