Not Bad For A Cultural Backwater

[Note: This post has been updated (1) as of 12:49 PM Eastern on 13 Aug. See below.]

Take a look at these lovely numbers:

The U.S. now has 125 professional opera companies, 60 percent of them launched since 1970, according to the trade group OPERA America. The U.S. has more opera companies than Germany and nearly twice as many as Italy. In the most comprehensive recent study, the National Endowment for the Arts found that between 1982 and 2002, total attendance at live opera performances grew 46 percent.

Annual admissions are now estimated at 20 million, roughly the same attendance as NFL football games (22 million, including playoffs, in 2006–07). In part, this reflects a shift toward seeing opera domestically. "Foreign opera destinations like Salzburg and Glyndebourne are more expensive, and more Americans are staying home — and probably feeling safer for it," says Richard Gaddes, general director of the Santa Fe Opera in New Mexico.

Consequently, opera travel within the U.S. — even by foreigners — is booming. The Opera Theatre of Saint Louis drew attendees last year from 42 U.S. states, in addition to France, Germany, Britain, and Canada. Likewise, the Seattle Opera gets loads of Germans eager to see its highly regarded productions of Wagner’s operas. Gaddes says his company is "the major economic engine of tourism in Santa Fe."

And the number of American opera productions continues to increase. As of 2005, OPERA America included companies under its aegis in 44 states. They put on 3,012 performances (up by one-third in just four years) of 420 different opera productions. Opera companies, moreover, are raising large amounts of money: $387 million in private contributions in 2005 alone.

Sounds spectacularly good to us despite those misleading statistics regarding opera companies in the United States versus Germany and Italy (the stats need to be normalized on a per capita basis to make the comparisons meaningful).

RTWT here.

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Update (12:49 PM Eastern on 13 Aug): Homeland Security is ever vigilant it is. Our stats reveal that the above post, believe it or not, has actually provoked multiple logon scrutiny of Sounds & Fury by the feds over at the Treasury Department. Of course, it could merely be that someone at Treasury is simply an opera- and classical-music-loving bureaucrat goofing off on the job. But all things considered, we rather suspect not.