Leave it to the French, this time in the person of film director Christian Chaudet, to vandalize utterly yet another masterpiece: Stravinsky's lovely and eloquent fantasy-cum-morality-tale mini-opera, Le Rossignol (The Nightingale). In a computer-animated / live-action film version of Le Rossignol aired by PBS on its "Great Performances" series, Chaudet imposes on the opera a non-stop barrage of frantically busy, socially-culturally-politically "relevant" visual claptrap cum sound effects that clutter and bloat Stravinsky's elegant work almost beyond recognition. What this grotesque and ugly piece of high-tech Eurotrash could not destroy, however, (not totally, at any rate) is Stravinsky's expressively on-point music (nicely conducted by James Conlon), and Natalie Dessay's vocally brilliant nightingale, the sound of which, all by itself, makes suffering through this insufferable hour-long production almost worthwhile. If you missed it this time around, look for a rerun in your local PBS listings. Or better yet, buy the Conlon / Dessay EMI recording that this loathsome film vandalized for its main soundtrack.
The Bloody French Do It Again
Leave it to the French, this time in the person of film director Christian Chaudet, to vandalize utterly yet another masterpiece: Stravinsky's lovely and eloquent fantasy-cum-morality-tale mini-opera, Le Rossignol (The Nightingale). In a computer-animated / live-action film version of Le Rossignol aired by PBS on its "Great Performances" series, Chaudet imposes on the opera a non-stop barrage of frantically busy, socially-culturally-politically "relevant" visual claptrap cum sound effects that clutter and bloat Stravinsky's elegant work almost beyond recognition. What this grotesque and ugly piece of high-tech Eurotrash could not destroy, however, (not totally, at any rate) is Stravinsky's expressively on-point music (nicely conducted by James Conlon), and Natalie Dessay's vocally brilliant nightingale, the sound of which, all by itself, makes suffering through this insufferable hour-long production almost worthwhile. If you missed it this time around, look for a rerun in your local PBS listings. Or better yet, buy the Conlon / Dessay EMI recording that this loathsome film vandalized for its main soundtrack.
Posted by A.C. Douglas on 26 December 2005 | Permalink